That Drifting Poo Was Far Too Meaningful! It's the Television Letdowns of the Year.
Looking back, we reflect on the television landscape of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.
And Just Like That
How to start with this divisive spin-off? Plagued with dreadful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final season began, it looked like it had finally hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, viewers certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the least of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to start listing the flaws. The hilariously wooden writing? The mind-numbing glorification of affluence and materialism? The almost deliberate parade of tropes? Acting so bad they felt borderline spiteful? Let’s just say “each and every one” and forget about this series again. However, a second season has been ordered, so we’re probably going to have to.
AKA Charlie Sheen
Given the restraining orders, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of reckless hedonism while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be saved for the people who have had to endure close contact with this charming but dismissive egotist.
The Supercomputer Drama
Of course we knew it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.
MobLand
Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were many other issues. Primarily that it was just profoundly boring; a dispute over narcotics territory between various cockney picaresques which felt rather simplistic.
With Love, Meghan
Considering the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into twee lifestyle as deliberate provocations. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for wine o’clock with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh.
The Beckham Documentary
There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for some reason, this documentary series opted not to say them. Rather, the viewing was like consuming a sales brochure. She obviously has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.
The Inheritance
It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a programme that was straining desperately to live up to something way beyond it.
Too Much
How do you follow a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘uneven’.
Given the shrewd recruitment of gifted emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Absolutely.
The Maths Genius Thriller
We love the star … but did we believe him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality renowned for sexual escapades as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son away from the queue. What we got was disturbing shots and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a young daughter too.